"I have just returned from Versailles, and the dauphine has not been delivered either of a prince or of a princess."

Then, turning towards me, he says that I look like a foreigner, and when I say that I am an Italian he begins to speak to me of the court, of the city, of the theatres, and at last he offers to accompany me everywhere. I thank him and take my leave. The abbe rises at the same time, walks with me, and tells me the names of all the women we meet in the garden.

A young man comes up to him, they embrace one another, and the abbe presents him to me as a learned Italian scholar. I address him in Italian, and he answers very wittily, but his way of speaking makes me smile, and I tell him why. He expressed himself exactly in the style of Boccacio. My remark pleases him, but I soon prove to him that it is not the right way to speak, however perfect may have been the language of that ancient writer. In less than a quarter of an hour we are excellent friends, for we find that our tastes are the same.

My new friend was a poet as I was; he was an admirer of Italian literature, while I admired the French.

We exchanged addresses, and promise to see one another very often.

I see a crowd in one corner of the garden, everybody standing still and looking up. I enquire from my friend whether there is anything wonderful going on.

"These persons are watching the meridian; everyone holds his watch in his hand in order to regulate it exactly at noon."

"Is there not a meridian everywhere?"

"Yes, but the meridian of the Palais-Royal is the most exact."

I laugh heartily.

"Why do you laugh?"

"Because it is impossible for all meridians not to be the same. That is true 'badauderie'."

My friend looks at me for a moment, then he laughs likewise, and supplies me with ample food to ridicule the worthy Parisians. We leave the Palais-Royal through the main gate, and I observe another crowd of people before a shop, on the sign-board of which I read "At the Sign of the Civet Cat."

"What is the matter here?"

"Now, indeed, you are going to laugh. All these honest persons are waiting their turn to get their snuff-boxes filled."

"Is there no other dealer in snuff?"

"It is sold everywhere, but for the last three weeks nobody will use any snuff but that sold at the 'Civet Cat.'"

"Is it better than anywhere else?"

"Perhaps it is not as good, but since it has been brought into fashion by the Duchesse de Chartres, nobody will have any other."

"But how did she manage to render it so fashionable?"

"Simply by stopping her carriage two or three times before the shop to have her snuff-box filled, and by saying aloud to the young girl who handed back the box that her snuff was the very best in Paris. The 'badauds', who never fail to congregate near the carriage of princes, no matter if they have seen them a hundred times, or if they know them to be as ugly as monkeys, repeated the words of the duchess everywhere, and that was enough to send here all the snuff-takers of the capital in a hurry. This woman will make a fortune, for she sells at least one hundred crowns' worth of snuff every day."

"Very likely the duchess has no idea of the good she has done."

"Quite the reverse, for it was a cunning artifice on her part. The duchess, feeling interested in the newly-married young woman, and wishing to serve her in a delicate manner, thought of that expedient which has met with complete success. You cannot imagine how kind Parisians are. You are now in the only country in the world where wit can make a fortune by selling either a genuine or a false article: in the first case, it receives the welcome of intelligent and talented people, and in the second, fools are always ready to reward it, for silliness is truly a characteristic of the people here, and, however wonderful it may appear, silliness is the daughter of wit. Therefore it is not a paradox to say that the French would be wiser if they were less witty.

"The gods worshipped here although no altars are raised for them--are Novelty and Fashion. Let a man run, and everybody will run after him. The crowd will not stop, unless the man is proved to be mad; but to prove it is indeed a difficult task, because we have a crowd of men who, mad from their birth, are still considered wise.

"The snuff of the 'Civet Cat' is but one example of the facility with which the crowd can be attracted to one particular spot. The king was one day hunting, and found himself at the Neuilly Bridge; being thirsty, he wanted a glass of ratafia. He stopped at the door of a drinking-booth, and by the most lucky chance the poor keeper of the place happened to have a bottle of that liquor. The king, after he had drunk a small glass, fancied a second one, and said that he had never tasted such delicious ratafia in his life. That was enough to give the ratafia of the good man of Neuilly the reputation of being the best in Europe: the king had said so. The consequence was that the most brilliant society frequented the tavern of the delighted publican, who is now a very wealthy man, and has built on the very spot a splendid house on which can be read the following rather comic motto: 'Ex liquidis solidum,' which certainly came out of the head of one of the forty immortals. Which gods must the worthy tavern-keeper worship? Silliness, frivolity, and mirth."

Memoirs of Casanova Volume 2a Paris Page 39

Memoirs of Jacques Casanova

Romance Books

Free Books in the public domain from the Classic Literature Library ©

Romance Books
Classic Literature Library

All Pages of This Book