She talked to M. de Grimaldi in a way that seemed to hint she was willing to give a little hope. As our guest did not eat, she said graciously that he must come to dinner some day that she might have an opportunity of seeing whether he really had any appetite.

When he had gone I took her on my knee, and covering her with kisses asked her where she had learnt to talk to great people so well.

"It's an easy matter," she replied. "Your eyes speak to my soul, and tell me what to do and what to say."

A professed rhetorician could not have answered more elegantly or more flatteringly.

I finished the translation; I had it copied out by Costa and took it to Rossi, the manager, who said he would put it on directly, when I told him I was going to make him a present of the play. I named the actors of my choice, and asked him to bring them to dine with me at my inn, that I might read the play and distribute the parts.

As will be guessed, my invitation was accepted, and Rosalie enjoyed dining with the actors and actresses, and especially hearing herself called Madame Casanova every moment. Veronique explained everything she did not understand.

When my actors were round me in a ring, they begged me to tell them their parts, but I would not give in on this point.

"The first thing to be done," said I, "is for you to listen attentively to the whole piece without minding about your parts. When you know the whole play I will satisfy your curiosity."

I knew that careless or idle actors often pay no attention to anything except their own parts, and thus a piece, though well played in its parts, is badly rendered as a whole.

They submitted with a tolerably good grace, which the high and mighty players of the Comedie Francaise would certainly not have done. Just as I was beginning my heading the Marquis de Grimaldi and the banker Belloni came in to call on me. I was glad for them to be present at the trial, which only lasted an hour and a quarter.

After I had heard the opinion of the actors, who by their praise of various situations shewed me that they had taken in the plot, I told Costa to distribute the parts; but no sooner was this done than the first actor and the first actress began to express their displeasure; she, because I had given her the part of Lady Alton; he, because I had not given him Murray's part; but they had to bear it as it was my will. I pleased everybody by asking them all to dinner for the day after the morrow, after dinner the piece to be rehearsed for the first time.

The banker Belloni asked me to dinner for the following day, including my lady, who excused herself with great politeness, in the invitation; and M. Grimaldi was glad to take my place at dinner at her request.

When I got to M. Belloni's, I was greatly surprised to see the impostor Ivanoff, who instead of pretending not to know me, as he ought to have done, came forward to embrace me. I stepped back and bowed, which might be put down to a feeling of respect, although my coldness and scant ceremony would have convinced any observant eye of the contrary. He was well dressed, but seemed sad, though he talked a good deal, and to some purpose, especially on politics. The conversation turned on the Court of Russia, where Elizabeth Petrovna reigned; and he said nothing, but sighed and turned away pretending to wipe the tears from his eyes. At dessert, he asked me if I had heard anything of Madame Morin, adding, as if to recall the circumstance to my memory, that we had supped together there:

"I believe she is quite well," I answered.

His servant, in yellow and red livery, waited on him at table. After dinner he contrived to tell me that he had a matter of the greatest importance he wanted to discuss with me.

"My only desire sir, is to avoid all appearance of knowing anything about you."

"One word from you will gain me a hundred thousand crowns, and you shall have half."

I turned my back on him, and saw him no more at Genoa.

When I got back to the inn I found M.

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