In one quarter only is he well received--namely, by the famous Duke of Weimar; but in a few days he becomes madly jealous of the duke's more famous protegees, Goethe and Wieland, and goes off declaiming against them and German literature generally--with which literature he was wholly unacquainted. From Weimar to Berlin; where there are Jews to whom he has introductions. Casanova thinks them ignorant, superstitious, and knavish; but they lend him money, and he gives bills on Count Wallenstein, which are paid. In six weeks the wanderer returns to Dux, and is welcomed with open arms; his journeys are over at last.
But not his troubles. A week after his return there are strawberries at dessert; everyone is served before himself, and when the plate comes round to him it is empty. Worse still: his portrait is missing from his room, and is discovered 'salement placarde a la porte des lieux d'aisance'!
Five more years of life remained to him. They were passed in such petty mortifications as we have narrated, in grieving over his 'afreuse vieillesse', and in laments over the conquest of his native land Venice, once so splendid and powerful. His appetite began to fail, and with it failed his last source of pleasure, so death came to him somewhat as a release. He received the sacraments with devotion, exclaimed,--
"Grand Dieu, et vous tous temoins de ma mort, j'ai vecu en philosophe, et je meurs en Chretien," and so died.
It was a quiet ending to a wonderfully brilliant and entirely useless career. It has been suggested that if the age in which Casanova lived had been less corrupt, he himself might have used his all but universal talents to some advantage, but to our mind Casanova would always have remained Casanova. He came of a family of adventurers, and the reader of his Memoirs will remark how he continually ruined his prospects by his ineradicable love for disreputable company. His "Bohemianism" was in his blood, and in his old age he regrets--not his past follies, but his inability to commit folly any longer. Now and again we are inclined to pronounce Casanova to be an amiable man; and if to his generosity and good nature he had added some elementary knowledge of the distinction between right and wrong, he might certainly have laid some claim to the character. The Prince de Ligne draws the following portrait of him under the name of Aventuros:
"He would be a handsome man if he were not ugly; he is tall and strongly built, but his dark complexion and his glittering eyes give him a fierce expression. He is easier to annoy than amuse; he laughs little but makes others laugh by the peculiar turn he gives to his conversation. He knows everything except those matters on the knowledge of which he chiefly prides himself, namely, dancing, the French language, good taste, and knowledge of the world. Everything about him is comic, except his comedies; and all his writings are philosophical, saving those which treat of philosophy. He is a perfect well of knowledge, but he quotes Homer and Horace ad nauseam."
THE MEMOIRS OF JACQUES CASANOVA DE SEINGALT Containing an Outline of Casanova's career from the year 1774, when his own Memoirs abruptly end, until his death in 1798
PART THE FIRST
CASANOVA'S RETURN TO VENICE
Thus Casanova ended his Memoirs, concluding his narrative with his sojourn at Trieste, in January 1774, where he had remained, except for a few excursions, since the 15th November 1772. He was forty-nine years of age. Since his unfortunate experiences in England, the loss of his fortune and the failure of his efforts to obtain congenial and remunerative employment in Germany or Russia, he had come to concentrate his efforts on a return to his native city.
Of his faithful friends, the nobles Bragadin, Barbaro and Dandolo, the first had died in 1767, having gone into debt "that I might have enough," sending Casanova, from his death-bed, a last gift of a thousand crowns. Barbaro who had died also, in 1771, left Casanova a life-income of six sequins a month.