The charming cousin had gone too far to turn back; she had to submit to the operation. I placed the ball in such a position that it could not fall out before I was in; however, it fell out towards the end, just as we were separating. The victim perceived that I had taken her in. However, she said nothing, picked up the ball, and challenged the two sisters to submit to the pleasant experiment, to which they lent themselves with the greatest interest; while the syndic, who had no faith in the virtues of the metal, contented himself with looking on. After half an hour's rest I began again, without balls, assuring them that I would be careful, and I kept my word, without depriving them of the pleasure in the slightest degree.

When it was time to part, these girls, who had formerly been scantily provided for, threw their arms round my neck, overwhelmed me with caresses, and declared how much they owed me. The syndic told them that I was going in two days, and suggested that they should make me stay a day longer in Geneva, and I made this sacrifice joyfully. The worthy syndic had an engagement on the following day, and I sorely needed a holiday myself. He took me back to my inn, thanking me almost as heartily as his charming nymphs.

After having enjoyed a calm and refreshing sleep ten hours, I felt myself able to enjoy the delightful society of M. de Voltaire. I went to his house, but I was disappointed in my hopes, as it pleased the great man to be in a fault-finding and sarcastic mood the whole day. He knew I had to leave on the morrow.

He began by thanking me at table for my present of Merlin Coccaeus.

"You certainly gave it me with good intentions," said he, "but I owe you no thanks for praising it so highly, as you made me lose four hours in reading nonsense."

I felt my hair stand on end, but I mastered my emotions, and told him quietly enough that one day, perhaps, he would find himself obliged to praise the poem more highly than I had done. I quoted several instances of the insufficiency of a first perusal.

"That's true," said he; "but as for your Merlin, I will read him no more. I have put him beside Chapelain's 'Pucelle'."

"Which pleases all the critics, in spite of its bad versification, for it is a good poem, and Chapelain was a real poet though he wrote bad verses. I cannot overlook his genius."

My freedom must have shocked him, and I might have guessed it when he told me he had put the 'Macaronicon' beside the 'Pucelle'. I knew that there was a poem of the same title in circulation, which passed for Voltaire's; but I also knew that he disavowed it, and I thought that would make him conceal the vexation my explanation must have caused him. It was not so, however; he contradicted me sharply, and I closed with him.

"Chapelain," said I, "has the merit of having rendered his subject-matter pleasant, without pandering to the tastes of his readers by saying things shocking to modesty and piety. So thinks my master Crebillon:"

"Crebillon! You cite a weighty authority. But how is my friend Crebillon your master, may I ask?"

"He taught me to speak French in less than two years, and as a mark of my gratitude I translated his Radamiste into Italian Alexandrines. I am the first Italian who has dared to use this metre in our language."

"The first? I beg your pardon, as that honour belongs to my friend Pierre Jacques Martelli."

"I am sorry to be obliged to tell you that you are making a mistake."

"Why, I have his works, printed at Bologna, in my room!"

"I don't deny that, I am only talking about the metre used by Martelli. What you are thinking of must be verses of fourteen syllables; without alternative masculine and feminine rhymes. However, I confess that he thinks he has imitated the French Alexandrines, and his preface made me explode with laughter. Did you read it?"

"Read it? I always read prefaces, and Martelli proves there that his verses have the same effect in Italian as our Alexandrine verses have in French."

"Exactly, that's what's so amusing.

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