She had a letter of introduction to the king's brother, who was a general in the Austrian service, and then resided at Warsaw. I heard that the day they came, when I was at supper at the palatin's. The king was present, and said he should like to keep them in Warsaw for a week and see them dance, if a thousand ducats could do it.

I went to see Madame Binetti and to give her the good news the next morning. She was very much surprised to meet me in Warsaw, and still more so at the news I gave her. She called Pic who seemed undecided, but as we were talking it over, Prince Poniatowski came in to acquaint them with his majesty's wishes, and the offer was accepted. In three days Pic arranged a ballet; the costumes, the scenery, the music, the dancers--all were ready, and Tomatis put it on handsomely to please his generous master. The couple gave such satisfaction that they were engaged for a year. The Catai was furious, as Madame Binetti threw her completely into the shade, and, worse still, drew away her lovers. Tomatis, who was under the Catai's influence, made things so unpleasant for Madame Binetti that the two dancers became deadly enemies.

In ten or twelve days Madame Binetti was settled it a well-furnished house; her plate was simple but good, her cellar full of excellent wine, her cook an artist and her adorers numerous, amongst them being Moszciuski and Branicki, the king's friends.

The pit was divided into two parties, for the Catai was resolved to make a stand against the new comer, though her talents were not to be compared to Madame Binetti's. She danced in the first ballet, and her rival in the second. Those who applauded the first greeted that second in dead silence, and vice versa. I had great obligations towards Madame Binetti, but my duty also drew me towards the Catai, who numbered in her party all the Czartoryskis and their following, Prince Lubomirski, and other powerful nobles. It was plain that I could not desert to Madame Binetti without earning the contempt of the other party.

Madame Binetti reproached me bitterly, and I laid the case plainly before her. She agreed that I could not do otherwise, but begged me to stay away from the theatre in future, telling me that she had got a rod in pickle for Tomatis which would make him repent of his impertinence. She called me her oldest friend; and indeed I was very fond of her, and cared nothing for the Catai despite her prettiness.

Xavier Branicki, the royal Postoli, Knight of the White Eagle, Colonel of Uhlans, the king's friend, was the chief adorer of Madame Binetti. The lady probably confided her displeasure to him, and begged him to take vengeance on the manager, who had committed so many offences against her. Count Branicki in his turn probably promised to avenge her quarrel, and, if no opportunity of doing so arose, to create an opportunity. At least, this is the way in which affairs of this kind are usually managed, and I can find no better explanation for what happened. Nevertheless, the way in which the Pole took vengeance was very original and extraordinary.

On the 20th of February Branicki went to the opera, and, contrary to his custom, went to the Catai's dressing-room, and began to pay his court to the actress, Tomatis being present. Both he and the actress concluded that Branicki had had a quarrel with her rival, and though she did not much care to place him in the number of her adorers, she yet gave him a good reception, for she knew it would be dangerous to despise his suit openly.

When the Catai had completed her toilet, the gallant postoli offered. her his arm to take her to her carriage, which was at the door. Tomatis followed, and I too was there, awaiting my carriage. Madame Catai came down, the carriage-door was opened, she stepped in, and Branicki got in after her, telling the astonished Tomatis to follow them in the other carriage. Tomatis replied that he meant to ride in his own carriage, and begged the colonel to get out. Branicki paid no attention, and told the coachman to drive on.

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